In other words, the story of history is an enormous Springtime. It is the story of Lent, the story of days getting longer, the world getting lighter."
Monday, March 21, 2011
Lent: Spring, salvation
In other words, the story of history is an enormous Springtime. It is the story of Lent, the story of days getting longer, the world getting lighter."
Wednesday, March 16, 2011
venison on the hook
Hunted legally—not antelope
Nor deer nor elk. He never had a fishing
License either, for that matter, never." (http://poems.com/poem.php?date=15050)
Tuesday, March 8, 2011
Still Praising (Tuesday of finals week)
For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was but a small and passing thing: there was light and high beauty for ever beyond its reach. His song in the Tower had been of defiance rather than hope; for then he was thinking of himself. Now, for a moment, his own fate, and even his master’s, ceased to trouble him. (From The Return of the King by J. R. R. Tolkien)
Sometimes I feel this way during finals week. Most of the classes here have an oral and a written component, and oftentimes it seems that the week will never end and fade off into the past so we can glide off into Spring Break. For at least a week now, life has been full to overflowing with finishing assignments, paper writing, memorizing from Tolkien and the Greek New Testament and a collection of Romantic poetry, filling out endless study sheets, gathering over coffee and sweet things to study with others, flipping through underlined pages to refresh on what the heck Kant actually thought about Hume, etc etc.
But life is definitely more than this, and there is goodness beyond the reach of whatever distress or disappointment is staring us in the face. There are great glories and there are simple ones.
-We can sub-create things. In fact we are supposed to: we are sub-creators because we are human. We are supposed to write poems, and knead bread dough, and stir oil paints, to devise faster more beautiful cars and pianos and plays, to make music, and gardens, and children.
-Snow. When you least expect it, it is the most spectacular. When it coordinates with sunshine, it is fairy.
-The 5 year old daughter of my host family came into my room earlier. "Do you cough the most? Are you the sickest?" she asked me. "Do you eat cough drops?" Then I realized she had a box of kleenex and a bag of cough drops in her hand. "They are apple kind. Do you want one?"
-I love knowing (not just words but whole verses of) Scripture in Greek. I love the thick sound of the words, how involved your mouth has to be at producing those sounds, how we can 'speak God's words after Him' by speaking the words of Christ in the Gospel account.
-Honey roasted peanuts.
-Looking forward to a sister and brother coming to town this weekend.
-Knowing that when I do my best in faith, God is contented with where I am. He does not berate me like I do myself. He does not review my failings. They are crucified with Christ and no longer live.
Sunday, March 6, 2011
Grateful Anyway, Sunday edition
Thursday, March 3, 2011
His Hands Have Learned What Cannot Be Taught
This poem by Martin Espada was featured on Poetry Daily today.
What do you think about taking an emotionally-charged situation and stating it quietly, matter-of-factly, like this?
Do his simple lines minimize the sadness of this truth in their lives - the woman's recurring siezures - or do they
help us understand this kind of grief?
His Hands Have Learned What Cannot Be Taught
My wife has had another seizure,
the kind where she seems to be dead,
her eyes open and unseeing,
like jellyfish dangling
in the ocean at midnight.
My son, not yet seventeen,
leans across the table
and shuts her eyelids
with the V of his fingers.
When she wakes,
she will not know why she dropped her coffee.
She will not know his name, or mine, at first.
She will not know that he closed her eyes.
I will know that his hands have learned
what cannot be taught, that now
I can leave the table.
Tuesday, March 1, 2011
Shakespeare and Huck Finn
"To Be or Not To Be" (from Shakespeare's Hamlet 3/1)
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action.--Soft you now!
The fair Ophelia! Nymph, in thy orisons
Be all my sins remember'd."To Be or Not To Be." (from Twain's Huckleberry Finn, Ch 21)
"To be, or not to be; that is the bare bodkin
That makes calamity of so long life;
For who would fardels bear, till Birnam Wood do
come to Dunsinane,
But that the fear of something after death
Murders the innocent sleep,
Great nature's second course,
And makes us rather sling the arrows of outrageous fortune
Than fly to others that we know not of.
There's the respect must give us pause:
Wake Duncan with thy knocking! I would thou couldst;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The law's delay, and the quietus which his
pangs might take,
In the dead waste and middle of the night,
when churchyards yawn
In customary suits of solemn black,
But that the undiscovered country from whose
bourne no traveler returns,
Breathes forth contagion on the world,
And thus the native hue of resolution, like
the poor cat i' the adage,
Is sicklied o'er with care,
And all the clouds that lowered o'er our housetops,
With this regard their currents turn awry,
And lose the name of action.
'Tis a consummation devoutly to be wished.
But soft you, the fair Ophelia:
Ope not thy ponderous and marble jaws,
But get thee to a nunnery -- go!"